These three elements weave themselves together to create a work of art that goes beyond its simple subject This is a narrative poem told in the first person about a woman who catches a fish on a rented boat and, after staring at him for a while, decides to throw him back.
Awe turns to admiration and the acknowledgement that this is no ordinary fish, it has the scars of battle to prove its worth. As the guided tour continues the speaker subtley distances herself from the fish momentarily by stating that it does not return her stare, it isn't looking back at its captor, it's merely like a thing reacting to the light.
The fact that it didn't fight perhaps put the fisherwoman off at first - every angler loves a fish that battles to survive - and it's only when it's hanging on the hook, grunting, does she become aware of its age and history.
These lines can give an almost unbalanced feeling to the reader as they conceptualize these words. Like Leopold, Bishop examines human interactions with nature on both the personal and the ecological level.
In the poem, Bishop makes use of numerous literary devices such as similes, adjectives, and descriptive language Keys, having virtually no reason for emotional attachment, are mentioned in line 5 with a tone of "Filling Station" by Elizabeth Bishop and "The Jailer" by Sylvia Plath - analysis and comparison of styles words - 8 pages reconciled".
Analysis of The Fish Seventy six short lines in one lengthy slim stanza with occasional trimeter lines but no set rhythm or beat and little regular rhyme make this quite an exercise in reading down the page.